Gender Reversal in Contemporary Novel: A feminist Study of Lola Shoneyin's The Secret Lives of Baba Segis's Wives

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Toheeb Aderemi Raji
Mercilina Toluwalope ADESHOTE
Julius Taiwo OJESANMI
Eniola Oluwatosin OLAGOKE

Abstract

Lola Shoneyin’s The Secret Lives of Baba Segi’s Wives explores the complexities of polygamy in a patriarchal Nigerian society, subverts conventional gender norms by presenting female characters who challenge male authority and assert agency within the confines of a traditionally male-dominated household. Therefore, this study investigates the theme of gender reversal in contemporary African fiction through a feminist analysis of Lola Shoneyin’s The Secret Lives of Baba Segi’s Wives. It employs feminist literary theory to examine how Shoneyin reconstructs the dynamics of power, sexuality, and identity among women in a polygamous setting. The study foregrounds how the wives, particularly Bolanle, negotiate personal autonomy and resist socio-cultural expectations, thereby destabilizing patriarchal structures from within. Through close textual analysis, the work highlights the novel’s critique of gendered oppression and its advocacy for female empowerment. Therefore, this study positions The Secret Lives of Baba Segi’s Wives as a significant contribution to contemporary African feminist literature, where gender roles are not only questioned but actively redefined.

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Author Biography

Toheeb Aderemi Raji, University of Ibadan, Nigeria

Toheeb Aderemi RAJI holds a Bachelor’s degree in English from Federal University Dutse and a Master’s degree in English (Literature option) from the University of Ibadan. He is a PhD candidate at the University of Ibadan, Nigeria. Raji has cultivated a strong foundation in African literary and cultural studies. His academic work centres on the exploration of oral narratives, folklore, proverbs, and performance traditions, examining how these forms encapsulate indigenous knowledge systems and address contemporary societal issues.  His research interests include African Oral Literature, Literature and the New Media, Cultural Studies, Film Studies and Gender Studies.